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Cane: Calling Jesus

Cane
Calling Jesus
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table of contents
  1. Titlepage
  2. Imprint
  3. Dedication
  4. Epigraph
  5. Foreword
  6. Part I
    1. Karintha
    2. Reapers
    3. November Cotton Flower
    4. Becky
    5. Face
    6. Cotton Song
    7. Carma
    8. Song of the Son
    9. Georgia Dusk
    10. Fern
    11. Nullo
    12. Evening Song
    13. Esther
      1. I
      2. II
      3. III
    14. Conversion
    15. Portrait in Georgia
    16. Blood-Burning Moon
      1. I
      2. II
      3. III
  7. Part II
    1. Seventh Street
    2. Rhobert
    3. Avey
    4. Beehive
    5. Storm Ending
    6. Theater
    7. Her Lips Are Copper Wire
    8. Calling Jesus
    9. Box Seat
      1. I
      2. II
    10. Prayer
    11. Harvest Song
    12. Bona and Paul
      1. I
      2. II
      3. III
      4. IV
  8. Part III
    1. Kabnis
      1. I
      2. II
      3. III
      4. IV
      5. V
      6. VI
  9. Colophon
  10. Uncopyright

Calling Jesus

Her soul is like a little thrust-tailed dog that follows her, whimpering. She is large enough, I know, to find a warm spot for it. But each night when she comes home and closes the big outside storm door, the little dog is left in the vestibule, filled with chills till morning. Someone⁠ ⁠… eoho Jesus⁠ ⁠… soft as a cotton boll brushed against the milk-pod cheek of Christ, will steal in and cover it that it need not shiver, and carry it to her where she sleeps upon clean hay cut in her dreams.


When you meet her in the daytime on the streets, the little dog keeps coming. Nothing happens at first, and then, when she has forgotten the streets and alleys, and the large house where she goes to bed of nights, a soft thing like fur begins to rub your limbs, and you hear a low, scared voice, lonely, calling, and you know that a cool something nozzles moisture in your palms. Sensitive things like nostrils, quiver. Her breath comes sweet as honeysuckle whose pistils bear the life of coming song. And her eyes carry to where builders find no need for vestibules, for swinging on iron hinges, storm doors.


Her soul is like a little thrust-tailed dog, that follows her, whimpering. I’ve seen it tagging on behind her, up streets where chestnut trees flowered, where dusty asphalt had been freshly sprinkled with clean water. Up alleys where niggers sat on low doorsteps before tumbled shanties and sang and loved. At night, when she comes home, the little dog is left in the vestibule, nosing the crack beneath the big storm door, filled with chills till morning. Someone⁠ ⁠… eoho Jesus⁠ ⁠… soft as the bare feet of Christ moving across bales of southern cotton, will steal in and cover it that it need not shiver, and carry it to her where she sleeps: cradled in dream-fluted cane.

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